Durer’s Rhino : Historic Handmade Reprints by Intaglio Editions


Adrian Belew’s epic song “Lone Rhino” comes to mind whenever I see this image. This open edition print is now being offered as an 11×15.5″ (23×40 cm), genuine intaglio, bleed print. Prints are available on 300 g/sm, heavy-weight, German paper or on 30 g/sm Kita Kata, natural-colored paper from Japan.

Originally created as a relief woodcut print, this image was first illustrated by the historic artist and printmaker, Albrecht Durer. His original drawing was based on a single piece of writing describing the animal, as no illustrations had yet been published. The fact that he had little more than a vague description to work from, and that he came so close to how the actual animal is, is a testimony to his imagination and artistry.



From Wikipedia:

Dürer’s Rhinoceros is the name commonly given to a woodcut executed by German painter and printmaker Albrecht Dürer in 1515.[1] The image is based on a written description and brief sketch by an unknown artist of an Indian rhinoceros that had arrived in Lisbon in 1515.[2] Dürer never saw the actual rhinoceros, which was the first living example seen in Europe since Roman times.[2] In late 1515, the King of Portugal, Manuel I, sent the animal as a gift for Pope Leo X, but it died in a shipwreck off the coast of Italy in early 1516. A live rhinoceros was not seen again in Europe until a second specimen, named Abada, arrived from India at the court of Sebastian of Portugal in 1577, being later inherited by Philip II of Spain around 1580.[3][4]

Dürer’s woodcut is not an entirely accurate representation of a rhinoceros. He depicts an animal with hard plates that cover its body like sheets of armour, with a gorget at the throat, a solid-looking breastplate, and what appear to be rivets along the seams. He places a small twisted horn on its back and gives it scaly legs and saw-like rear quarters. None of these features is present in a real rhinoceros,[5][6] although the Indian rhinoceros does have deep folds in its skin that can look like armor from a distance.

Despite its anatomical inaccuracies, Dürer’s woodcut became very popular in Europe and was copied many times in the following three centuries. It was regarded by Westerners as a true representation of a rhinoceros into the late 18th century. Eventually, it was supplanted by more realistic drawings and paintings, particularly those of Clara the rhinoceros, who toured Europe in the 1740s and 1750s. It has been said of Dürer’s woodcut: “probably no animal picture has exerted such a profound influence on the arts”.[7]

Additional information

Weight 16 oz
Dimensions 15 × 22 × .1 in
Paper Type

White Hahnemule 300 g/sm Paper, Kita Kata Natural Colored 30 g/sm Paper

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